June 25, 2017

Prison of Dusk (1)

I've posted chapter 1 of "Prison of Dusk."

"Riri" could be transliterated "Lily," except the first character in her name (李理) means "plum," so I don't think the English reading is intended.

The Five Punishments (五刑) defined the penalties meted out by the legal system of pre-modern dynastic China. In their earliest forms, they involved (but were not limited to) tattooing, amputation of the nose, amputation of one or both feet, castration, or death.

Japan's Currency Act of 1871 defined 100 sen (銭) as equal to one yen. The ryou (両) was made equal to one yen (円) and taken out of circulation. The yen was defined as 24.26 grams of silver. At the current trading price, around US $10-$15. By the end of the 19th century, the yen was pegged at US $.50, also in the US $10-$15 range when adjusted for inflation.

The yen steeply depreciated during and after WWII. The sen was taken out of circulation in 1953 and replaced by the yen. One yen currently has a value of around one U.S. cent.

The organization of farming hamlets is described in chapter 25 of A Thousand Leagues of Wind. A hamlet typically consists of eight families who farm the eight allotments and one common area. Hamlets are usually only occupied in the summer during the growing season.

Shundatsu's tattoo uses the following characters: Kin (均) Dai (大) Nichi (日) In (尹). Tattooing is one of the penalties spelled out in the Five Punishments.

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June 22, 2017

To Sensei with Love

As I discussed previously, how popular fiction genres overlap in their appeal from country to country can tell you a lot about cultural "universals."

Just as informative are those genres that do not find close analogues abroad, or inspire opposite reactions. For example, in the "conventional" romance genre, the relationship between a teacher and student. The Hollywood version is typically described with words like "forbidden."

Even if we're talking about legal adults, any given episode of Law & Order involving a professor and a college student is likely to end with a dead body.

There are, to be sure, plenty of legal, ethical, and moral reasons for discouraging such relationships. But as Kate argues,

The American attitude is bizarre. Not because teacher-student relationships are a good idea. But because the stigma rests on a proposition that is unsettling in the extreme: namely, that any teenager before the age of eighteen is the equivalent of a child.

And yet, in Japan, it's a go-to plot device, and not one expressly designed to raise eyebrows or breach taboos. Less a May-September romance than May-July, it typically involves a girl who is a high school student (and thus a minor) when we first meet her. Or far younger, as in The Tale of Genji.

But Genji is a gentlemen—well, one who has bed just about every aristocrat's wife or daughter in Kyoto—so he installs the ten-year-old Murasaki in his villa and waits for her to grow up. Which, back then, wasn't that much older.

A modern version of this story is Bunny Drop. Tellingly, the implied May-September romance the series open with ruffles fewer feathers than the one it ends with (the manga series, not the anime), despite the age difference in the latter being half that of the former.

And unlike Genji, Daikichi is the perfect single adopted dad. It's one of those endings that leaves me curious about what the unwritten sequel would be like. (Keep in mind that "Murasaki" in Genji is generally considered to be the author's autobiographical Mary Sue.)

Bunny Drop dares to keep the subject grounded in the real world. More typical of the genre is I Married a Pop Idol. The book blurb reads as follows: "A young businessman meets a woman and falls in love, leading them to marry. But the man's wife is actually an idol in high school!"

Even frumpy NHK has gotten into the act, with the clumsily titled Ms. Sauce's Love (literally translated), a weepy May-July romance between a college freshman (Yudai Chiba) and a thirty-something (Mimura). Chiba is actually 28 to Mimura's 33, though I'd swear he looks 14, if that.

The manga series R-18 combines the May-July romance with another strange (to American sensibilities) trope, according to which the virginal protagonist writes an explicit sex column under a nom de plume. This year's Eromanga Sensei again leveraged the popularity of that particular idea.

And let's not even get started on the whole sibling romance thing.

But back to teachers and students, a realistic portrayal can be found in Makoto Shinkai's Garden of Words, which has the teacher breaking off the relationship before it can move to the "next level." (And Shinkai's Takao looks and acts more mature than Chiba's Masanao.)

Dancing around the taboo are stories that concoct an excuse for the protagonists to get married, as in the aforementioned I Married a Pop Idol and the obnoxious Please Teacher series. Or the less obnoxious but pornier and occasionally funny My Wife is the Student Council President.

Back in the real world, there's French President Emmanuel Macron, whose wife is 25 years older than him. They met when he was in high school. Okay, reality can be stranger than fiction. How about "real" enough to make a live-action movie? Say, of Kazune Kawahara's bestselling Sensei! manga.

The story centers on second-year high school student Hibiki Shimada, who is in love with her teacher Kosaku Ito, a cold man who seems to hate girls, but is actually kind. The story begins when she accidentally puts a love letter entrusted to her by a friend in Kosaku's shoe locker.

Whatever would happen to high school romance in Japan without shoe lockers? But seriously, the sociology behind the widespread acceptability of this particular romance genre does deserve a closer look.

Japan's consent laws can be easily misconstrued. The applicable civil code is little different than in the U.S. Compulsory education in Japan ends after junior high. Few teenagers leave school at that point, but the legal possibility may help erode the magical 18-year-old boundary.

More importantly, most teens in Japan haven't contracted special snowflake syndrome. Japan is a country where elementary school students are expected to walk to school by themselves. Zounds!

Alas, actor Keisuke Koide recently learned how unforgiving real life can be. A drunken one-night stand with a 17-year-old girl resulted in NHK and NTV yanking shows he was in. Netflix, which cast him in an upcoming big-budget series, "is considering how to respond to the scandal."

(Which sounds to me like they'll let the commotion die down and proceed as planned, counting on there being "no such thing as bad publicity.")

You see, that's not fiction. In a society that can superficially appear devoid of moral limits (when making believe), social expectations ruthlessly enforce the lines that must not be crossed (in reality). Japan has the lowest teen fertility rate in the world and an abortion rate half that of the U.S.

Apparently Japanese teenagers know the difference.

Related posts

Cheese! (part 3)
Kicking down the door
The student-teacher romance in manga

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June 18, 2017

Prison of Dusk

Although best known for her Twelve Kingdoms novels, Fuyumi Ono also writes horror novels and manga, such as the Ghost Hunt series. She wrote Shiki as a homage to Stephen King's Salem's Lot. (The anime series can be streamed at Yahoo View.)

"Prison of Dusk" (Rakushou no Goku) begins with a justice in the Kingdom of Ryuu trying to discern the motives of a serial killer (so the first half of an episode of Criminal Minds). Except the man is in custody and there's no question of his guilt.

From there, the bulk of the story concerns the verdict in light of the weight of evidence (so the second half of a Law & Order episode). Justice Eikou and his magistrates must weigh public opinion against the emperor's own sentencing guidelines.

The problem is, the public wants the accused executed, and the faster the better. But the emperor has apparently taken capital punishment off the table.

From the start, the author dispenses with the typical red herrings and strawmen. The accused is definitely guilty, definitely remorseless, and understands the consequences of his actions. All that's left is the debate over capital punishment itself.

There's more dialectic here than story, and Fuyumi Ono pretty much leaves no rhetorical stone unturned.

And then toss in the twist that in the Twelve Kingdoms, bad things happening can literally mean that Heaven is casting a "no confidence" vote (it's the ultimate court of appeals). The result is a modern debate cast in medieval fantasy terms.

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June 15, 2017

Church of the extrovert

"Different" is not always "good." Too much "difference" in close proximity causes wars. Especially when it comes to theology, I don't see the point in "kicking against the pricks" if you can't align yourself theologically with a religion. Go find another cause or church.

(In other words, my "activism" ends exactly at the point I'd have to get out of my armchair to do anything about it.)

On the other hand, a religion that promotes itself as having a "catholic" outreach must realize that differences in human nature exist. Unfortunately, it's easier to pursue utopian universality by pretending that everybody is (or should be) a clone of whoever's in charge.

As a case in point, an article about psychological depression in the Winter 2017 BYU Magazine uses missionary service to illustrate several aspects of the problem and then completely misses the point. Because one size fits all.

Consider the sidebar featuring the anecdote in which Lindsay, "a self-described introvert," recounts that "It's really exhausting to me to be in a social environment all the time. Those things don't come naturally to me, and I had a lot of anxiety related to that."

The "advice" that follows never acknowledges that perhaps being "bold and assertive and confident" isn't for everybody and certainly not for every missionary. Instead, one is supposed to "increase resilience" and develop "coping skills." In other words, conform.

The coping strategies that worked for her--"spending time alone or reading a book"--are not allowed. Perversely enough, the only acceptable alternative this Hobson's choice offered her was to be labeled mentally ill.

To be sure, people have all kinds of issues, and being "with a companion 24/7 that [you] didn't choose, learning a foreign language, and adapting to a different culture" are some of the demanding pressures that inevitably come with being a Mormon missionary.

But, frankly, those pressures--which are finite in duration and not that much more demanding than the rest of post-mission real life--are peanuts compared to the expectations of unavoidable social engagement. And yet these expectations are simply never questioned.

Buddhism and Catholicism long ago figured out that there are convert-the-world types and there are vow-of-silence types. If you're one of the latter and find yourself in a church that's pedal-to-the-metal on the former, you're going to have problems, period.

The church of the extrovert is fine for those who are extroverts, want to become extroverts, or are willing to put up with being around extroverts. It's a Darwinistic gauntlet that systematically filters out the "unfit" personality types. That's fine too. It's a free world.

But if being the life of the party is the necessary condition the viability of the organization depends on, a church that prioritizes sociability and good PR may not be long for this earth. As Rod Dreher argues in The Benedict Option,

If believers don’t come out of Babylon and be separate, sometimes metaphorically, sometimes literally, their faith will not survive for another generation or two in this culture of death.

In his conversation with Albert Mohler about the book, he further explains:

My life is shaped around the chanting of Psalms and on all kinds of sensual ways that embody the faith. Of course you can have smells and bells and go straight to hell; that doesn't change you and lead to greater conversion. But for me as an Orthodox Christian and me as a Catholic, the faith had more traction and it drew me in closer and closer. I don't know if evangelicals can do that, because as I look at evangelicalism I see people who are zealous for the Lord, no doubt about it, but also susceptible to every trend that comes along.

(The "Benedict" Dreher refers to is not Pope Benedict XVI but the sixth century Benedict of Nursia. He founded the Order of Saint Benedict that defined the structure and objectives of monastic life and helped preserve Western Civilization through the Dark Ages.)

On the other hand, the Mormon church recently began dismantling its tight relationship with the BSA organization, and has hinted that it may divorce it entirely. So rejecting the popular secular option is always a possibility (though it remains increasingly unlikely).

Related posts

Up with introverts
The weirdest two years
Understanding Japanese women (and introverts)

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June 11, 2017

Hisho's Birds (4)

I've posted chapter 4 of "Hisho's Birds."

Early in the 20th century, the Japanese emperor still conferred with lower-ranked officials from behind a bamboo or rattan blind called a misu (御簾). With the primary light source outside the screen, it essentially functioned as a one-way mirror.

It was General MacArthur and SCAP that turned Emperor Hirohito into a public figure, after which the emperor's handlers proved themselves masters of public relations.

The modern Imperial Household Agency prefers bulletproof glass to bamboo blinds. This year, the annual New Year Greeting (which lasts about a minute) attracted almost 100,000 visitors to the Imperial Palace (not all at once but in five appearances).

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June 08, 2017

Bleep the bleeping bleep

My loathing for postmodern jargon notwithstanding, cussing is, for the most part, a "social construct."

Especially when it comes to language, it's hard to get offended by something when you don't know it is supposed to be offensive. (Is "bloody" a bad word?) It's all the more difficult when you don't know what the word means. And even when if you do, why is "shit" worse than "crap"?

In Japanese, the offensiveness of crude references to certain body parts shares close analogues in English. Otherwise, most "swear words" are only as severe as the context dictates. Whether a kid's manga or a hardcore yakuza flick, the translation of the above is the same: kuso.

I was reminded of this watching (well, mostly listening while working on my computer) the movie review segment on the Friday "Premium" edition of Asa-Ichi, NHK's morning news/chat show (it means "Morning Market," the shopping sense not the Wall Street sense).

Most foreign movies are subtitled when they debut in Japan (a few blockbusters and Disney animations hit the theaters in both subtitled and dubbed versions). So I'm typing away and all of a sudden, Huh? What?

I turn to the TV and on Asa-Ichi they're showing clips from a film written by a David Mamet wannabee (or maybe even by David Mamet). And nothing gets bleeped. I don't mind well-written cussing. It's just a shock to hear it smack in the middle of the morning.

If Good Morning America played unedited clips like this, the FCC would come down on them like a ton of bricks. And NHK is a pretty conservative outfit. You don't see nudity. Then again, nudity doesn't need to be translated.

Cussing, on the other hand, isn't cussing if it's in a foreign language! If anything, Japanese subtitles can be more coy than their literal Anglo-Saxon equivalents, hitting a zone of vague linguistic neutrality. It makes marketing sense to avoid needlessly offending the audience.

When it comes to manga and anime, sensationalist reports in the western press suggest an "anything goes" attitude, when the opposite is just as true. Relying on a 1907 law still in force, Japanese censors can be stricter and more arbitrary than the FCC, the MPAA, and the U.S. courts.

Ironically, Japanese-English translators often wander off into the weeds by striving for too much "authenticity," producing scripts for manga and anime (especially dubs) that toss in vulgarities not necessarily in the original.

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June 04, 2017

Hisho's Birds (3)

I've posted chapter 3 of "Hisho's Birds."

In Japan, it is still customary for a lower-ranked person (in a company, for example) to address a superior by title rather than by first name. That is why Seikou refers to Shouran as "Shishou."

When used as a generic noun, I translate "shishou" as "master craftsman."

The reasons behind the exiling of women in the Imperial Palace, which set in motion the downfall of Empress Yo, are described in chapter 59 of Shadow of the Moon.

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June 01, 2017

The tall and short of it

Height is a genetic puzzle. For the males in my family, averaging was the result, not Mendelian selection: shorter than the tall parent, taller than the short parent. Then there are tall/short combinations that produce tall offspring and tall parents who produce taller children.

Average height in Japan over the past century demonstrates the importance of environmental factors. And having leveled off since 1960, the importance of genetics, though Yankees pitcher Masahiro Tanaka (6' 3") and Anne Watanabe (5' 9") handily beat regression to the mean.

Once a country climbs high enough up Maslow's hierarchy, genes do up to 80 percent of the heavy lifting (so say the geneticists). Over 423 genetic regions are connected to height and they mix and match in ways that are hard to predict.

Scientists like to study identical and fraternal twins to tease such things out. I would recommend studying haafu: the offspring of a Japanese parent and not-Japanese (non-Asian) parent.

There's an analogy here to how "Japanese" the child appears. Masao Kusakari, for example, regularly plays Japanese characters in NHK historical dramas. But I wouldn't have otherwise guessed that Risa Stegmayer has a Japanese mother (other than her speaking fluent Japanese).

My theory is that "averaging" kicks in when similarly functioning genes are mirrored at the same loci on both chromosomes in the pair. But if there's a null set on one of the chromosomes, the height genes take over.

Masao Kusakari is six feet tall (his father was an American GI killed during the Korean War), way above average for a Japanese born in 1950. Rangers pitcher Yu Darvish (Iranian father) is a towering six-feet-five.

But the award for comedic contrast goes to Jun Soejima, a presenter on Asa-Ichi, NHK's morning chat show. He hosts the Sugowaza Q (スゴ技Q) segment with Yumiko Udou, a Japanese woman of average height.

Jun Soejima (American father, Japanese mother) is six-foot-five. Wikipedia adds that his Afro adds eight inches, and also says that he traveled abroad only last year and doesn't speak English. In other words, height aside, a typical Japanese (yes, he played basketball in college).

Sugowaza Q translates roughly as "Super Skills IQ," about smarter ways to do common household activities like cooking.

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May 28, 2017

Hisho's Birds (2)

I've posted chapter 2 of "Hisho's Birds."

The nashi (梨) or Japanese pear looks like a small yellow apple. The texture and taste of the fruit is rather like a European pear crossed with a fresh cucumber.
As a form of address, Shishou (師匠) is used similarly to Sensei (or "Master" in the wuxia context) though it is a rank higher. An instructor in a doujou is a "Sensei." The Master who runs the doujou is the "Shishou."

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May 25, 2017

Miss Hokusai

Speaking as I was last week of art about artists being artists, Miss Hokusai is a fine addition to the genre (click image to enlarge).

Based on the manga by the late Hinako Sugiura, the film is episodic in nature, with no real plot or even much in the way of character development. Told from the perspective of O-Ei, Hokusai's elder daughter and an accomplished painter in her own right, it is series of vignettes about Hokusai, his two daughters, and his apprentice, living and working in Edo (Tokyo) during the first half of the 19th century.

If there is a theme to the movie, it concerns the limits of technical ability alone to produce great art (here also meaning that people will pay to see it). The much fabled eccentricity of the creative type thus reflects the ongoing struggle to resolve that conflict ("good artists copy; great artists steal").

But the setting is the real story. These slices-of-life take place in the surreal Edo of the popular period drama, untroubled by politics or the impending collapse of the Tokugawa regime (mentioned in an afterword). As with the imaginations of the characters, it is infused with magical realism, the threads of folk tales and religious figures winding through the fabric of the scenes, sketches, and anecdotes.

The title of the movie in Japanese is Sarusuberi (百日紅) or "crepe myrtle." The flower symbolizes the subtle tragic arc that bridges the narrative, though the matter-of-fact tone of the presentation never threatens to overwhelm us with emotion. Rather, the movie invites us to watch and observe and examine it like a painting. Whatever sentiment you wish to bring to the subject is entirely up to you.

Miss Hokusai is like a slow stroll through a stately old museum (whose director is doing his best to make it more "accessible"). Nobody is going to clobber you over the head with ART, but if you wish to look, it's hanging on the walls all around you to see.

The soundtrack on the GKids DVD defaults to a pretty good English dub version.

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May 21, 2017

Hisho's Birds (1)

I've posted chapter 1 of "Hisho's Birds."

The magpie belongs to the corvidae (crow) family. These particular birds would be Eurasian magpies ("believed to be one of the most intelligent of all non-human animals").

The nengou dating system begins with an era name devised specifically for the reign of that emperor and counts the ascension of the emperor as year one. The era name of Emperor Hirohito's reign (1926-1989) is Shouwa ("shining peace"). The current era name is Heisei ("peace everywhere").

In Youko's case, the era name is Sekiraku (lit. "red" + "Rakushun"). This story begins in the "seventh year and seventh month of Yosei," which is the era name of Empress Yo. The end of one era overlaps with the beginning of the next. Showa 64 was Heisei 1, and Yosei 7 would also be Sekiraku 1.

To make things even more confusing, the posthumous name of an empress is often different from her given name. Empress Yo's given name was Jokaku.

Skeet is trapshooting in which clay pigeons are thrown in such a way as to simulate the angles of flight of birds. The targets are also know as "clays." In skeet shooting they are disc-shaped and don't look at all like birds. Here I'm using "skeet" to refer to the clay targets themselves.

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May 18, 2017

Hisho's Birds

I'll start posting chapters next week (more or less regularly, I hope). I'm doing this translation independent of o6asan, but feel free to compare and contrast (the legal vocabulary in "Rakusho no Goku" is proving particularly vexing), or jump ahead if you get impatient.

First up is the title story. "Hisho's Birds" is about a creative person working under a looming deadline, so one has to wonder about the extent to which the protagonist's ruminations reflect those of the author.

As the story begins, Hisho has a bad case of artist's block. He produces an important imperial ceremony held on auspicious occasions, like the winter solstice and the ascension of a new empress. He's an innovator with a reputation for outdoing himself but the inspiration just isn't coming.

Which is understandable, considering the state of affairs in the Kingdom of Kei. "Pressure" takes on a whole new meaning when a capricious emperor could have him executed. To make matters worse, a string of short-lived rulers hollowed out his department and left him with a long fallow period.

Hisho has another problem. He wants to deliver a message with his art. But the spectators only see the spectacle (or the lack thereof), not what he's trying to say. On top of everything else, Kei just got a brand new empress. Hisho's been ordered to produce the next ceremony on a tight schedule.

Even if he can settle on the message, he has to figure out how to deliver it with the resources on hand. For Hisho and his loyal assistant, it's a make or break opportunity.

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May 11, 2017

No objection

As I described last week, police in Japanese crime dramas rarely go barging into the domicile of a suspect. Because the doors are built like bank vaults. It's easier to ask the landlord to come up with a key. If not, the police will respect demands for a search warrant.

They just don't have to try very hard to get one. The familiar Law & Order scene of lawyers arguing in front of a judge for a search warrant is one you simply do not see in Japanese police procedurals. Nor anybody arguing after the fact about its validity.

This article in the Japan Times covers the subject pretty well. "Stop and frisk" is allowed whenever the police have "reasonable cause" to suspect the person has committed or is about to commit a crime.

The phrase "crimes about to be committed" allows the police to list "vigilance against possible crimes" as the main excuse for pulling people aside, effectively giving them a way to justify the routine in nearly every situation. The police are not legally bound to explain what the "reasonable cause" for suspicion was.

Yet another reason prosecutors in Japan enjoy a 99 percent conviction rate.

Hero is a whodunit series about Tokyo ADAs. During questioning (after the arrest and before allocution), there is almost never a lawyer present. They can do all the questioning they want. Defendants never get bail, even for petty crimes. The issue doesn't come up.

Or consider the series Emergency Interrogation Room. It essentially takes Vincent D'Onofrio's interrogation scenes from Law & Order: Criminal Intent and expands them to fill most of each episode.

On the Law & Order "realism" scale (meaning "realistic" for a television police procedural), Criminal Intent isn't very. It might better be described as the "Worst Defense Lawyers Ever" show.

But, hey, "realism" in popular entertainment is way overrated. I just want my disbelief suspended, and D'Onofrio usually carries it off. D'Onofrio's Goren would be right at home in Emergency Interrogation Room. He wouldn't have to worry about lawyers at all.

The "emergency" in Emergency Interrogation Room is analogous to the "major" in "major case squad" in Criminal Intent. And this particular interrogation room is tricked out like the one Cal Lightman (Tim Roth) employs in Lie to Me. So not very "realistic."

Except that suspects step into Dr. Lightman's interrogation room voluntarily. Whether they are there as witnesses or suspects, it is highly unlikely the interviewees in Emergency Interrogation Room will have a lawyer with them. And, sadly enough, that is realistic.

But here's the unrealistic thing about Emergency Interrogation Room and most crime dramas set in Japan: the entire country would have a hard time filling the police blotter with serious felonies in a year as fast as the average American city does in a week.

On the other hand, that's never stopped our British cousins from producing highly entertaining crime series. Death in Paradise is a prime example of Chicago-style murder rates in a Caribbean resort town (which must pose a real PR real headache for the tourism board).

The advantage of these sleepy settings with selectively high crime rates is that they constrain the supply of red herrings. As we can assume our detectives are not corrupt and will do things mostly "by the book," every crime gets turned into a locked room mystery.

Japanese cops do things by the book. It's just that the book isn't as thick in the same places. Or can be missing entire chapters.

Hence the paradox that Japanese law enforcement is both draconian in terms of respect for due process (confessions extracted under dubious circumstances are especially problematic) and surprisingly lenient when it comes to prosecution and sentencing.

Except when it comes to the death sentence, which is still carried out and which hardly anybody in Japan gets upset about. (In Fuyumi Ono's latest Twelve Kingdoms short story collection, she devotes a novella to a debate about the death penalty.)

Related posts

Kicking down the door

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May 04, 2017

Kicking down the door

An entertaining way to do comparative analyses of contemporary cultures is to examine popular fiction genres in terms of the Venn diagrams. The areas of overlap point to stories that have a wide appeal, that can be lifted out of one culture and easily repurposed in another.

Such as The Seven Samurai and The Magnificent Seven. Or literally crossing time and space, The Hidden Fortress and Star Wars.

As in Great Britain, the murder rate in Japan is minuscule. But you'd never know it from the whodunits and police procedurals in books and on TV. Even though, on a per-capita basis, Japan has one-tenth as many lawyers as the U.S., lawyer shows abound on Japanese television too.

Galileo and Numbers, Mr. Brain and Bones, Columbo and Partners, Hero and Blue Bloods (the Erin Reagan arcs) compare pretty well.

Why dress up? Our heroic ADA makes one court appearance in this series.

What doesn't match up is revealing in interesting ways. To start with, far fewer lawyer shows in Japan are courtroom dramas. They are more likely to depict lawyers doing lawyerly things like interviewing suspects and negotiating for their clients (with greatly elevated stakes, of course).

Cops in Japan don't usually carry guns unless they have reason to believe that the bad guys are armed too. Which is rare. The bad guys most likely to be packing heat are the yakuza, and the yakuza are usually smart enough to get rid of the guns before the cops show up.

The yakuza are also smart enough to mostly shoot each other. A show with a heavily-armed cast like The Bow-wow Detective is telling the audience not to take it very seriously (if the the title doesn't do that already).

But here's a more subtle one: kicking down doors. Cops in Japan don't kick down doors. Or kick them open either.

The typical front door in Japan opens out. When entering a house or apartment, you step into the genkan and then step up to access the rest of the house. Space being at a premium, there'd be no place for everybody to stand while removing their shoes if the door swung in.

Kicking the door would simply force it tighter against the jam. And you see that door closer? Residential doors need them. They're that heavy.

Even if doors opened in, most wouldn't be kickable. The door to my pretty typical middle-class apartment in Port Town had a thick steel frame and was mounted in reinforced concrete. In other words, if the door doesn't have breakable glass panels (apartment doors don't), bring along a battering ram.

Or better yet, a gas-powered diamond-tipped circular saw--standard equipment in fire trucks.

So what do cops do? Have the superintendent unlock the door. And unless they're in hot pursuit, they'll leave their shoes in the genkan too.

Related posts

No objection

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